{"product_id":"veracini-cozzolino-trio-sonatas-op-1","title":"Semperconsort: Trio Sonatas Op. 1 - COMPACT DISCS","description":"\u003cb\u003eTitle: \u003c\/b\u003eTrio Sonatas Op. 1\u003cbr\u003e\n                                         \u003cb\u003eArtist: \u003c\/b\u003eSemperconsort\u003cbr\u003e\n                                         \u003cb\u003eLabel: \u003c\/b\u003eBrilliant Classics\u003cbr\u003e\n                                         \u003cb\u003eProduct Type: \u003c\/b\u003eCOMPACT DISCS\u003cbr\u003e\n                                         \u003cb\u003eUPC: \u003c\/b\u003e5028421966014\u003cbr\u003e\n                                         \u003cb\u003eGenre: \u003c\/b\u003eClassical Artists\u003cbr\u003e\n                                         \u003cb\u003eRelease Date: \u003c\/b\u003e2023-09-22\u003cbr\u003e\n                                         \u003cb\u003eNumber of Discs: \u003c\/b\u003e1\u003cbr\u003e\n                                         \n                                         \u003cbr\u003e\n                                         \n                                         \n                                         The only available complete recording; newly made by a stylish Italian early-music ensemble; of a landmark collection of Baroque chamber music. Antonio Veracini (1659-1733) was the uncle and teacher of his more famous nephew; the composer and violinist Francesco Maria Veracini (1690-1768); and one of the most important violin sonata composers of the generation that included Corelli and Torelli. His innovative music forms the bridge between the styles of Vitali; Bononcini and Stradella on the one hand; and the post-Baroque fashions of his nephew and of Tartini and Locatelli on the other. Even while working outside the patronage of the Medici family; Veracini played a central role in the civic musical life of Florence during the later 17th and early 18th centuries. Trained from childhood as a violinist; he wrote mostly with his own instrument in mind; and doubtless with a view to impressing noble audiences with his skill and virtuosic style. He must have succeeded; because he also became an owner of many superb violins and a dealer in their trade. Veracini's Opus 1 collection was published in 1692 and dedicated to his patroness; the Grand Duchess Vittoria. It consists of ten 'church sonatas' of the newer sort exemplified by Vitali's op.9 collection published two years later; though Veracini's style is also comparable with Corelli's church sonatas published during the 1680s. Most of the sonatas have two extended quick movements; each preceded by a slower and gravely expressive introduction. Dance rhythms infuse the finales with momentum; and Veracini is fond of trumpet-like fanfares and echo effects. These ten sonatas made a tremendous impression on Veracini's fellow composers at the time; and it is a wonder that they have only been recorded in selected form until now. The complete collection abounds in high-spirited diversity; especially in these recordings made by an ensemble with a track record of success in exploring the lesser-known corners of Baroque repertoire. Of their previous Brilliant Classics album featuring Vitali's Op.11 Sonatas (93976); Fanfare magazine remarked: 'It is all very delightful... thoroughly enjoyable and heartily recommended to all lovers of Baroque consort and dance music.'\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTracks:\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Semperconsort","offers":[{"title":"Default Title","offer_id":43652918345795,"sku":"43692224","price":4.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0682\/9847\/3539\/files\/4412848-3337385.jpg?v=1786436303","url":"https:\/\/sonirecords.com\/products\/veracini-cozzolino-trio-sonatas-op-1","provider":"MAILE LOR60x16RAINE","version":"1.0","type":"link"}