Viviane Goergen has not only made a name for herself with her recordings of Ernst Toch's piano works, among others, through far-sighted repertoire enrichment, but also with an interpretation concept that offered new approaches for interpreters as early as the 1980s through the use of meditation, autogenic and mental training, among other things, which also benefits her Schumann recording from 1988.
Tracks: 1.1 Davidsbündlertänze Op. 6~Lebhaft / Lively 1.2 Davidsbündlertänze Op. 6~Innig / Intimately 1.3 Davidsbündlertänze Op. 6~Mit Humor (Etwas hahnbüchen) / Humorously (strutting cockily) 1.4 Davidsbündlertänze Op. 6~Ungeduldig / Impatiently 1.5 Davidsbündlertänze Op. 6~Einfach / Simply 1.6 Davidsbündlertänze Op. 6~Sehr rasch (und in sich hinein) / Very fast (and introverted) 1.7 Davidsbündlertänze Op. 6~Nicht schnell (mit äußerst starker Empfindung) / Not fast (with the greatest depth of feeling) 1.8 Davidsbündlertänze Op. 6~Frisch / Cheerfully 1.9 Davidsbündlertänze Op. 6~Lebhaft / Lively 1.10 Davidsbündlertänze Op. 6~Balladenmäßig. Sehr rasch (Ballad-like; very fast) 1.11 Davidsbündlertänze Op. 6~Einfach / Simply 1.12 Davidsbündlertänze Op. 6~Mit Humor / Humorously 1.13 Davidsbündlertänze Op. 6~Wild und lustig / Wild and merry 1.14 Davidsbündlertänze Op. 6~Zart und singend / Tenderly singing 1.15 Davidsbündlertänze Op. 6~Frisch / Cheerfully 1.16 Davidsbündlertänze Op. 6~Mit gutem Humor / Good-humouredly 1.17 Davidsbündlertänze Op. 6~Wie aus der Ferne / As if from far away 1.18 Davidsbündlertänze Op. 6~Nicht schnell / Not fast 1.19 Drei Romanzen Op. 28~Sehr markiert / Strongly marked 1.20 Drei Romanzen Op. 28~Einfach / Simply 1.21 Drei Romanzen Op. 28~Sehr markiert / Intermezzo I + II (Etwas langsamer) / Wie vorher / Strongly marked / Intermezzo I + II (A little more slowly) / As before
